Dispatch Art ( ” 파견 미술가 ” )

The Dispatch Art collective is a group of artists committed to effecting social change through actions that transcend mere social commentary. They chose this name because the term “dispatch” suggested the absolute precarity of labor conditions, and their mission was to provide support for struggles against the forces of neoliberal capitalism, which undermines the very foundation of security in life. The group takes influence from both the radical minjung (peoples’) art movement of the 1980s, which was focused on social change, and the community-based public art and the participatory protest culture of the 2000s.

Dispatch art does not have a command system where someone dispatches artists. It sends itself to the site of a social disaster or a site where cultural and artistic practices are needed, or encourages participation through trust with fellow artists who participate together. As such, the Dispatch Art collective has fluid membership which includes members whose expertise spans various art fields, prioritizes a collaborative relationship with on-site participants, and employs a diverse range of art mediums and protest tactics—including exhibiting images, banners, and installations, orchestrating performances and events, and occupying sites—allowing them to adapt to the resources and needs of each protest site.

City

N/A

Country

South Korea

Region

Asia

Year of Creation

2005

Featured Project

Giryung Electrics protest
In October 2010, a construction crane was moved in front of a protest camp at a factory operated by Giryung Electronics. The occupants of the camp were former workers for Giryung who had been fired for organizing a union. Since 2005, they had sought reinstatement and direct employment through sit-ins and hunger strikes. When the police were sent to disperse the protestors by force, they responded by climbing to the top of the crane, where they were out of easy reach. The workers’ cause gained new momentum after this act of resistance, as a group of artists then joined the protest. They decorated the crane with pieces of colorful cloth, workers’ gloves, light bulbs, paper flowers, a dragon head, and banners with slogans. The crane had been sent to the strike site to harass the protesting workers, but the artists turned it into a captivating monument and symbol of their fight, and it cast a radiant glow upon the darkened factory (Kal, para. 1).

Resources

More Information

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